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Psytrance Kick Processing: Key Techniques and Insights

In this blog, I dive into the process of creating and processing a psytrance kick. Below is a summary of the main techniques and insights that will help you refine your kicks for a punchy, well-rounded sound.

1. Start with Context

One of the key tips I mention is not to design your kick in isolation. Instead, have other elements in your project—such as basslines, hi-hats, or atmospheres—already in place. This ensures that your kick will sit well in the overall mix from the start, avoiding the need for constant readjustment as new elements are added.

2. Template-Based Workflow

Using pre-mixed templates can be a huge time-saver. By starting with a template, you already have a basic balance of levels across your key elements (kick, bass, hi-hats, etc.), and then you can begin replacing each part with the new elements for your current track.

3. Kick Synthesis

The psytrance kick typically begins with a sine wave. Since the sine wave only occupies one frequency at a time, its progression from high to low frequencies (pitch curve) plays a crucial role in defining the character of the kick. Manipulating the envelope allows you to control how quickly the pitch moves from high to low, shaping the punch and length of the kick.

4. Phase Manipulation

One of the most important aspects of kick design is phase manipulation. Shifting the phase allows for better control of the punch and low-end power. Many producers shy away from working with phase, but it is essential for creating a powerful and clean psytrance kick. Tools like EQ and phase distortion plugins can help fine-tune this aspect.

5. Using EQ and Compression

Proper EQ is essential for sculpting the kick. For example, I often use high-pass filters to clear up low-end mud and boost certain mid or high frequencies to add clarity and punch. Multiband compression is another tool I use to control specific frequency ranges and to tighten the low-end without sacrificing power.

6. Adding Sub Harmonics

If your kick feels too thin, adding a sub-synth can help. This process adds low-end harmonics below 50Hz, giving the kick more depth and weight, especially if it’s sitting too high in pitch.

7. Layering with Reverb

Although psytrance kicks should be tight, adding a subtle, short reverb can give them a more natural feel. A sine wave is rarely found in nature, so adding a touch of reverb helps introduce some realistic reflections and prevent the kick from sounding too sterile.

8. Limiting and Final Touches

Finally, a limiter is applied to ensure that both the transient (attack) and body of the kick sit at the same level. This helps to keep the kick punchy and prevents any unwanted peaks. Tools like invisible limiters are great for this purpose.


By following these steps, you’ll be able to create a powerful, clean, and punchy psytrance kick that sits perfectly in your mix. Stay tuned for more videos and courses on psytrance production techniques.




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